Aztec coffee table — 2.5D carved sun calendar (solid oak)
Field: Woodworking / 2.5D CNC carving / Symbolic design
Period: 2018
Client: Personal project — artistic creation
Dimensions: 120 x 70 cm
Background
In 2018, before I had even decided to move to Mexico, I designed and built a one-of-a-kind coffee table featuring the Aztec calendar (Piedra del Sol) carved in 2.5D bas-relief into a solid oak top.
This project is a paradox:
- I was making Mexico before I moved there
- A creative connection to a culture I was not yet living
- An unconscious premonition: 2 years later, I settled in Mexico for good
Technical goal:
- Create a multi-purpose table: low (living room) + high (eating or working while sitting on the sofa)
- Special height: comfortable for working on a laptop from the sofa (without straining your back)
- Complex 2.5D carving: full Aztec calendar + surrounding symbols
Total time: 60 hours (30 h CNC + 30 h hand finishing)
Challenge
Technical challenge:
- 2.5D carving: highly detailed Aztec calendar (concentric circles, glyphs, symbols)
- 3D → CNC conversion: the 3D model had to be turned into compatible toolpaths
- Solid oak top: a hardwood that requires optimized CNC toolpaths
- Protective glass: a milled rebate to hold a glass panel (no eating directly on the carving)
- Artistic finishing: bringing out the relief with stain and patina
Aesthetic challenge:
- Central Aztec calendar: deep carving, details preserved
- Aztec symbols around it (deities, glyphs)
- Antique patina: aged look, accentuated relief
- Lower shelf: visible structure, clean aesthetic
Solution
Phase 1: 3D design
Modeling the Aztec calendar:
- Iconographic research: Piedra del Sol (Sun Stone)
- Complete 3D model: concentric circles, Aztec glyphs, central symbols
- Adaptation for 2.5D carving (bas-relief)
Software used:
- Vectric: converting the 3D model → CNC toolpaths
- Optimizing pass depths
- Toolpath simulation (avoiding collisions)
Phase 2: CNC fabrication (30 h)
Carving the oak top:
- CNC machining with Mach3 (controller)
- 2.5D carving: gradual relief (variable depths)
- 30 hours of machining: central calendar + surrounding symbols
- Solid oak: a hardwood, slow but precise to machine
Table structure:
- Legs made and assembled
- Lower shelf added (storage, reinforcement)
- Special height: neither too low nor too high (comfortable laptop use from the sofa)
Phase 3: Milling the glass rebate
Protecting the top:
- Milled rebate around the edge of the top
- Exact dimensions to hold a glass panel
- The glass sits in the rebate (flush)
- Reason: no eating directly on the carving (protection + hygiene)
Phase 4: Hand finishing (30 h)
Stain & patina:
- Black/dark gray stain applied into the carving
- Wiped off to leave the color in the recesses
- Antique patina: aged look, stronger contrast between relief and recesses
- Natural wood stands out light, carving stays dark
Sanding & finishing:
- Fine sanding of the top
- Protective varnish (several coats)
- Fitting the glass into the rebate
- Final assembly
Result
Deliverable:
- 120 x 70 cm solid oak coffee table
- Aztec calendar carved in 2.5D (30 h CNC)
- Surrounding Aztec symbols
- Antique patina (aged look)
- Protective glass in a milled rebate
- Multi-purpose height: living room + comfortable work
Total time: 60 hours
- 30 h CNC (carving)
- 30 h hand finishing (stain, patina, assembly)
Personal impact:
- A creative connection to Mexico before living there
- Personal art project (not commercial)
- Technical showcase: complex 2.5D carving
- A time paradox: I was making Mexico in 2018, and I have lived there since 2020
This project demonstrates:
- Ability to model in 3D for CNC carving
- Command of Vectric + Mach3: optimized toolpaths
- High-end 2.5D carving: a complete Aztec calendar
- Artistic finishing: patina, stain, aged effect
- Functional design: multi-purpose table (special height)
- Creative vision: a symbolic connection before the lived experience
Photos/Visuals
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Tags: lab, woodworking, CNC carving, 2.5D, Aztec calendar, solid oak, Vectric, Mach3, Mexico, artistic creation, 2018









